Find the perfect song for your project
- 90 BPM
- 120
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Munsters
A tune of fright and delight, “Munsters” centers around a menacing piano melody. Church organ and theremin give the song a paranormal vibe, while an uncomplicated drum beat ties it all together.
- 90 BPM
- 1:47
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Witching Hour
Full of thrills and chills, “Witching Hour” is a spooky soundtrack with sneaky undertones. The song opens with a busy mix of eclectic instruments and paranormal sound effects before downshifting to a jazzy arrangement in 3/4 time. Then, after a blood-curdling scream, the tune returns to its mischievous motif.
- 93 BPM
- 1:33
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Thanks for Playing
What do you get when you mix a bold beat, flute, and Transformer sounds? The laid back yet eclectic tune that is “Thanks for Playing.” As a seamless loop, this track will accommodate a wide range of projects.
- 120 BPM
- 1:28
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Does Not Compute
With a menacing synthesizer riff, “Does Not Compute” is an edgy electronic piece that could heighten the sense of energy and danger in your next project.
- 120 BPM
- 1:00
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Modern Age
Beginning with a bit-crushed beat and staticky synthesizer, “Modern Age” is one of a kind. Halfway through, the electronic arrangement unexpectedly breaks for a dramatic classical interlude. The two styles then join together for an epic finale.
- 130 BPM
- 1:48
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The Void
An entrancing, wobbly loop anchors this reverberating synthetic piece as ambient pads and distant hand drums round out the arrangement. “The Void” would serve well as a trippy background song for a psychedelic or experimental project.
- 100 BPM
- 2:11
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Matriarch
Piano, cello, and flute come together to form a mournful medley in “Matriarch.” But, after a brief pause, the song shifts sentiments, assuming a more optimistic outlook.
- 160 BPM
- 2:45
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The Homestead
Built atop a picked acoustic guitar riff, “The Homestead” features banjo, upright bass, hand percussion, and other folky instruments. The earthy song follows a relatively predictable structure, trading a darker progression in the verses for a more uplifting arrangement in the chorus.
- 120 BPM
- 1:16
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(Many Other Functions)
About halfway through, this relatively inconspicuous electronic track turns into what’s probably the closest thing to dub step I’ve ever made — largely thanks to a dirty saw synth wobble. That said, it’s still pretty mild. You can think of “(Many Other Functions)” as a gateway dub step tune: edgy, yet still gentle enough for general audiences.